Tech Info

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SOUND

Mains

  • 12-EV XLE191 90 degree (6 on each side)
  • 6-EV XLE181 120 degree (bottom 3 on each side)
  • Flown on XLE Grids (XGS stands also available)
  • 6-EAW SB850 Subs (3 per side)
  • 6-EV TG7 Amps with RCM-26 DSP card on IRIS-Net
  • EV UCC1 USB-CAN Converter

Desks

  • 2-Avid SC48 (FOH/Monitors)

Monitors

  • 5-QSC PLD 4.5 Amps – 4 Channel
  • 7-Biamp 15LF-2HF Wedges
  • 1-Drum Fill with 12 2way top and 1×18

Snake

  • CBI 48 send 8 return split

Sub Snakes

  • 4-CBI 50′ 12 channel
  • 1-Rapco 24 send 4 return

Mics

  • 2-AT2020
  • 2-AT2021
  • 1-Beta 52
  • 3-Beta 58
  • 6-E604
  • 2-D2
  • 1-D4
  • 1-D6
  • 1-I5
  • 3-PR35
  • 3-PR22
  • 3-PR28
  • 1-PR KICK
  • 8-SM57
  • 8-SM58
  • 2-RF AT
  • 1-RF SEN 835

Stands

  • 16 Tall Boom Tripod
  • 6 Short Boom Tripod
  • 6 Short Boom Round
  • 6 Tall Round Straight

DI’s

  • 8-Active Stereo
  • 3-Passive Mono

LIGHTING

  • 16-High Power 10 CH LED Cans – Chinese Fixure
  • 6-15 degree Lekos on 2 4ch dimmers
  • 6-Chauvet Colordash Tri
  • 1-ETC SmartFade ML Counsole
  • 1-1000 Watt Follow Spot

POWER

  • 8-20A circuits (2 per corner of stage)
  • 1-400A 3 Phase Disconnect with Cam Locks
  • 3-20A circuits at FOH

VIDEO

  • 1-6k Projector with HDMI, Composite, S-Video, and RCA inpu
  • 1-26’6″x14′ screen flown just inside proscenium

COURTESY LINES

  • 7-DMX 3 pin from FOH to SR
  • 3-Cat5 from FOH to SL
  • Clear Com System with 3 Packs

RISERS

  • 1-6’x8’x1′

FULL DOWNLOADS

Blue Note Lighting Patch List

Blue Note Production Specs

Blue Note Stage Diagram

 

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